Despite Melodyne’s stellar capabilities, there’s usually a disconnect when using it in other DAW’s. Melodyne has long been one of my most-used studio tools, and not just for vocal correction: it’s one of the most underrated sound design tools around and is often capable of mangling and reworking complex, polyphonic sounds in a way no other plugin can. One of Studio One’s standout features-and one that, in my opinion, puts the program well ahead of most DAW’s at the moment-is the most advanced Melodyne ARA integration available anywhere. Ultimately, the role of a DAW should be to offer a producer every tool possible to express their creative vision, and Studio One 4.6 does this exceptionally well. Still, I primarily want to focus on what PreSonus is doing to offer artists unique tools that other programs simply can’t match. Studio One does provide some genuine and novel advances in even the most mundane aspects of music creation, which I’ll cover shortly. This is a far more user-friendly approach than some other DAW manufacturers take, and if you’re just starting and looking for a highly capable program at a friendly price point, give Studio One a serious look.Īs I noted in the introduction here, we’ve reached a point where just about any DAW in 2020 offers the tools you need to create, record, and mix a stellar record.
Lastly, as incredible as it is that in 2020 I even need to call this out, it’s worth noting that all versions of Studio One-even the free Prime version-offer unlimited audio and MIDI tracks. If you can’t live without Pro Tools’ click anywhere in arrangement to play, Studio One can enable that with a simple toggle likewise, many aspects of the arrangement and mixer windows offer a lot of flexibility that can adapt to your preferred workflow. Wisely, it seems PreSonus realized they would need to offer the best of many other programs to convince users to switch, and many of the program’s customizations allow you to make the DAW behave more like your previous app of choice. Similar to Cubase, Studio One tracks are primarily controlled via the Inspector modal on the left-hand side of the screen, offering a relatively streamlined way to manage most of your vital parameters in one place.Īs I began browsing around both the GUI and Studio One’s preferences panel, one thing became immediately clear: this is a highly customizable DAW. Opening Studio One for the first time reveals an interface that takes some clear inspiration from Steinberg’s flagship Cubase software, albeit with a much more pleasing GUI and flexible window system.
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